Celebrating Pattern Review's 20th Anniversary

PatternReview is turning 20 this November 28 and as a long-time member I am so excited to celebrate with the rest of the global community!

For this contest, participants are asked to make a top/shirt/blouse/tunic or dress inspired by Pattern Review. My so-called "milestone" top is inspired by all things related to the Pattern Review website. I decided the best way to show this was by designing my own fabric. 

Presenting my designer top with a touch of whimsy!

If you have been reading my blog or checking out my pattern reviews, then you probably already recognize the pattern I used for this top. That's right, it's Vogue 1693 by Issey Miyake. 

I first made this pattern in May of this year and in a span of six months I have sewn six versions! Can we say TNT (tried and tested) pattern?

I thought the pattern was the perfect canvass for embellishment and personalization. 

 

If you notice, the right and left bodice of the top are vastly different. I am crazy about calligraphy and maps on fabrics so this was my chance to combine my two favorite design elements and do it in a very personalized way. 

For the right side, I printed words and phrases on the base fabric (linen blend) and all the words were taken off the Pattern Review website. So upon closer inspection, you will see the names of the different contests, the  forum topics, site features and more. 

For the left side, I embellished a black handkerchief linen with outlines of the states where PR weekends were held in different years like Texas, LA, Oregon, NY, etc. I added an applique of a thread spool and stitched a thread coming from it to loop through all the different state outlines, sort of representing "the thread that binds the sewing community."

So if you are interested in the creative process behind these designs, just read on.

Printing on Fabric:

1. Word Document. On Microsoft Word, I created a document of several pages consisting of random words and phrases taken from the PR website. I experimented with different fonts and sizes and eliminated punctuation marks and margins. I initially printed on paper to see how it would look. 

2. Fabric Prep. The fabric had to be treated with a special solution called Bubble Jet Set 2000 for HP (since my printer is Hewlett Packard). This is readily available at Amazon, Jenkins or Dharma Trading.  There is also a solution specifically for Epson printers and a solution for all other printer brands. 

I precut my fabric into same size as my printer paper then soaked the pieces in the solution for 5 minutes after which I let them air dry. 

3. Fabric printing. After fabric pieces were dry, I ironed freezer paper shiny side to the wrong side of the fabric then fed them individually to the printer to avoid paper jam. 

 Printer in action!

4. Fabric piecing. After ink was dry, I sewed the fabric pieces together until I had enough yardage to accommodate the pattern piece I was cutting. 

Fabric pieces sewn together. 

Wrong side showing how the seams were finished with zigzag stitches. 

Right bodice pattern laid out on the fabric. 

Right bodice cut. 

To ensure the print stays on fabric, it is recommended to use Bubble Jet Rinse for washing. 

Embellishing on Fabric

1. Word Document. I copied and pasted free online images of my chosen state map outlines, printed them on paper, cut then traced them to my fabric using heat erasable pen.

2. Sewing. I used Totally Stable stabilizer underneath the fabric before sewing on the embellishment. For thread I used Sulky polyester embroidery thread for the top and Gutermann all purpose polyester for the bobbin. I used long triple stitches to make the stitches stand out. 

I won this set of gorgeous embroidery threads for Sewing Bee 2019. 

3. Applique. For the spool of thread applique, I traced the shape on a black piece of linen fabric that was backed by a stabilizer, cut and sewed on it then used applique machine stitches around the shape to attach it to the main bodice. 

So there you have it, the process behind the fabric design. For the back of the top and the front band, I used leftover linen (Nani Iro At Random).

Unlike my past versions, I totally eliminated the use of buttons and buttonholes and opted for sew on snaps. I added a decorative nonfunctional statement button to the front. 

Here are additional views of the finished top.

And for icing on the cake, I created a special tag to commemorate the occasion!

For a complete review of this garment, check out PatternReview.com