Friday, July 24, 2020

My DIY Max Mara Top

   In case you have not followed my blog, late last year (November 2019) I posted a skirt I have sewn using a panel print by designer Max Mara.

Panel print from the Max Mara Heritage prints line sewn into a New Look 6345 skirt
New Look Skirt 6345 in Max Mara Heritage print panel

I loved that fabric so much and I still have some leftovers. However for me it is the hardest fabric to work on because of the way the the whimsical prints are laid. I knew I wanted to make a wearable top out of it and after waiting and searching, I think I found the perfect pattern to go with it. 

Meet Dixie, a woven Style Arc top!

As  always a detailed review of this top can be found here at Pattern Review. So in this post, I am just highlighting some construction details that hopefully will be helpful to anyone using the pattern or sewing with similar fabrics. If you want to see modeling shots of the top, scroll to the bottom of this post. 

This Style Arc Dixie pattern has been drafted for soft woven fabrics like silk, crepe or rayon. After testing a muslin in my regular SA size (6), I thought there was enough ease to go down one size and combine a jersey fabric with woven. 

 I auditioned three different solid colors of a matte rayon jersey before deciding on the black. 



To facilitate handling of the slippery silk twill fabric, I laid down a piece of tissue wrapping paper under the fabric before cutting. I also made sure to replace my rotary blade with new sharp ones and I avoided using pins. Instead I used a lot of pattern weights. 

To prevent stretching of shoulder seams and slit openings on the jersey fabric, I use this fusible knit stay tape and ironed it on the wrong side of the seamline. One can also use elastic or some other lightweight fusible knit interfacing that is cut to size. I find it more convenient to have a ready made notion like this. I also have one in white. I bought them from Amazon. 

Although I have a serger, I did not use it to finish any of the inside seams because I did not want any bulk to show through my lightweight fabrics. So I experimented with the overcast stitches on my sewing machine and settle for this one. 



Sorry if it's a bit hard to see this but it just shows the overcasting stitches on the edge of the rayon jersey. 

Here is a better picture showing the overcasting stitches. 

The trickiest part of the sewing the pattern was the neckline binding because it involved a front gap.

This is the neckline binding that has been pressed along one edge before applying. 

This is the front gap that requires a bit of precision during application to maintain the correct length of the opening. 

The short edges of the neckline binding are folded into itself by 1/4" before being sewn to the back opening. 


The instructions suggest stitching in the ditch to finish the neckline but I opted for hand sewing using slipstitches for better control. 

And here is what it looks like after sewing. 

Note the topstitching details on the slit and yoke. 


And this is the back slit opening. 

Another area worth paying attention to while sewing is the side seams. I basted them first to make sure the front and back yoke seams matched. It is worth taking time to do this to avoid unnecessary unpicking of stitches. 

For the bottom edges, I used narrow hem and I followed the tutorial from Threads Magazine which can be found here.


Here is the inside view of the finished top.

And now for some modeling shots!













Thanks for dropping by!












Thursday, July 2, 2020

Mad for Madder: Another Alabama Chanin Top

I don't know what it is about Alabama Chanin garments but once I complete one, I feel the need to start another. There is something so oddly satisfying about the creative process involved in completing a project like this, never mind the many steps of preparation and the countless hours of sewing called for. 
 




As with the previous tops I have made, I used the Alabama Chanin t-shirt pattern included in the book "Alabama Chanin Studio Sewing + Design." I used the round neckline and cap sleeves. 




I have always used the reverse applique method but this time I tried the negative reverse applique method for the first time. 


The top layer is stenciled with the chosen design. 
I used "New Leaves" stencil and airbrushed with "Sand" Createx Fabric Paint. 

Here you can see the bottom layer underneath the stenciled fabric. 

*A note about the bottom fabric. I was inspired by an AC top I saw in Pinterest and I wanted to recreate it. However I didn't have the exact same cotton jersey so I had to dye mine. 



I used the natural plant Madder Root to dye my white cotton jersey. 


Back to the negative reverse method: I sewed the two layers together by using backstitches 1/8" inside the appliqué shapes. 


Here you see the stitches in progress. 


A view of the wrong side of the underlying fabric. 

A view of the two layers. 

The front of the top completed as far as appliqué stitching is concerned. 

Now it's time to cut off the top layer 1/8" outside the edges of the appliqué shapes. 

Partially trimmed. 

The front of the top completed!

I only embellished part of the back.


I also embellished the sleeves. 

I used feather stitches on the neckline binding and sleeves. 

And now for some more eye candy!







What the inside looks like!

And for more info, check out my review posted at PatternReview.com.